Whitney est le projet du duo de compositeurs Max Kakacek (Smith Westerns) et Julien Ehrlich (Unknown Mortal Orchestra). D’autres musiciens talentueux comme le trompettiste et producteur Will Miller composent le groupe de Chicago. Max Kakacek et Julien Ehrlich, tous deux transfuges des regrettés Smith Westerns, Whitney regarde dans un rétroviseur très peu usité aujourd’hui : celui du R’n’B affable d’un Boddy Charles, des lignes de voix de Paul Simon, bref, d’une authentique et douce luminosité, réhaussée d’un sens du groove qui ferait dodeliner n’importe qui de la tête. Ce groupe fait du bien à l’âme comme au corps, et transmet une énergie communicative dans sa version élargie sur scène.
While the success of their 2016 debut Light Upon The Lake uprooted them away from Chicago to seemingly endless tours across the world, Ehrlich’s and Kakacek’s partnership only strengthened. “Our friendship has kept us going even though so much has happened in the years since we started the band,” says Ehrlich. Their bond has been the one constant as they’ve weathered the transitional period of their mid-twenties, supporting each other through bouts of heartache, loss, and uncertainty. But lately, as they’ve found home through themselves, their romantic relationships, and their friends, there’s an uneasiness that comes from stability. When Ehrlich sings on “Valleys (My Love),” “There’s fire burning in the trees / Maybe life is the way it seems” it’s a mission statement of the existential questions raised throughout.
This is what Forever Turned Around grapples with: the anxiety and acceptance that time is limited. Across 10 songs, Ehrlich and Kakacek skeptically yet masterfully navigate questions of mortality, doubt, love, and friendship in a grander scope than they’ve attempted before. It’s an album about partnership —romantic, familial and communal, but most importantly a love in friendship: the bonds between two best friends and creative partners and the joy and stress that comes with it. As Ehrlich sings on “Used To Be Lonely:” ‘Well it made no sense at all / Until you came along.” It tackles the blissful confusion that comes from seeing the way things unexpectedly change over time.
Forever Turned Around came together over several sessions across the country with its earliest material written during tour dates in Lisbon, Portugal. Though Ehrlich is Whitney’s lead singing drummer while Kakacek is the lead guitarist, when writing, both transcend their roles to piece together each offering lyrically and compositionally. “The way it ends up working is one of us comes up with a basic idea for a song and the other person serves as the foil to complicate that idea. We ask, ‘What can we change to make it more interesting?’” says Kakacek. Challenging each other is the core of their songwriting partnership. “A big thing for us is our ability to take criticism. We’re always open to new ideas. We approach it where we try to stretch a new idea as far as it can go,” adds Kakacek.
Risks and experiments make Forever Turned Around a triumph like opener “Giving Up.” The track started from a stream-of-conscious revelation when Ehrlich improvised the chorus while Kakacek played Wurlitzer. What began as a nod to Neil Young’s Live at Massey Hall 1971in an afternoon turned into a heart-rending and relatable song about the ups and downs of long-term relationships. Over twinkling piano, Ehrlich sings, “Though we started losing touch / I’ve been hanging on because / You’re the only one I love.” He explains, “In a relationship, you don’t stay at the same level at all times. You go through periods where you’re closed off.”
Whitney has long been a full-fledged band with keyboardist Malcolm Brown, guitarist Print Choteau, bassist Josiah Marshall, and trumpeter Will Miller backing them live, along with Asrar who’s returning to the fold on their upcoming tour. On the album, the wider and more maximalist songs match the tight-knit chemistry of their electric performances thanks to Tucker Martine’s immaculate mixes. “We’ve become such a well toured band and developed this groove that you can hear it all over the LP, » says Ehrlich. Though the stoner instrumental freakout “Rhododendron” is the most obvious example of this vibe, with its slinking guitar leads and Miller’s flailing trumpet lines, other songs like “Before I Know It” evoke the breezy melancholy of Labi Siffre.
Forever Turned Around is an album about relationships. It deals with how they evolve or flounder and how loneliness can creep in unexpectedly. Penultimate track “Friend of Mine” captures this sentiment beautifully. The emotional centerpiece of the album, it builds to a crescendo during the chorus with Ehrlich singing of an old acquaintance,”While you’re drifting away / Like a cloud hanging over the pines.” Happiness can be fleeting but this album proves that even when it feels like time is turning on its head and there’s either a moment of clarity or crippling doubt, there’s still beauty in figuring it all out.